Two ways to work with us.
And five ways in.
Most companies arrive needing one thing and discover they needed a habit. So there are two main engagements — one ongoing, one fast — and a handful of services you can take on their own if that's genuinely all you need.
Steady, or in a hurry
The difference isn't quality. It's whether you need a rhythm or a result.
The Content Engine
A subscription creative team. Film, photography and social produced on a schedule you can plan around — working alongside your marketing people, or standing in for the department you can't justify building.
- Three tiers, plus social as an add-on or on its own
- A production rhythm rather than a series of projects
- The cheapest way to get consistent, because the thinking is already done
The Brand Accelerator
Everything a brand needs, produced once and properly: a cinematic film, thirty photographs, a month of social content and the strategy holding it together. No retainer. $10,000.
- For a launch, a rebrand, or a genuine deadline
- An honest look at whether you need something steadier
- A temporary fix that tells you if the Engine is worth it
Or just the piece you need
Each of these is included somewhere in the Engine. Each also stands alone, and we'd rather sell you one thing that works than a package you don't need.
A short way to tell
which one you are
A launch, a conference, a site going live in six weeks. That's the Accelerator. It exists because deadlines don't wait for a retainer to warm up.
You commissioned something good eighteen months ago and have been stretching it ever since. That's the Engine. The problem isn't the film — it's the gap after it.
There's a drive full of footage nobody has posted. Start with Amplify. Shooting more won't fix a distribution problem.
You're an agency or a team that just needs a camera and someone who knows it, possibly under your own name. That's Production Support.
Nothing here is
a separate company
The same people shoot your photography, cut your social, build your site and run the camera at your event. That's the point of the list being short — the film and the stills match because the same eye made both, on the same day, in the same light.
It also means the second project costs less thinking than the first. We already know your rooms, your people, and which of your executives needs a minute before the camera rolls.
See the work